Give clumsy, unconvincing performances. The one exception is an unsettling overall performance by Mia Kirshner (Exotica) as the doomed actress, seen only in perverse display exams and stag films. The story is incomprehensible (and when you can follow it, it is silly) the dialogue is atrocious the figures make hardly any feeling from scene to scene. lang. Bret Fetzer Brian De Palma's "The Black Dahlia" is like a beautiful sports vehicle with no engine under the hood: it sits there searching mighty fairly, but it never really goes anyplace. The movie is based on the James Ellroy novel of the same name, a extremely fictionalized telling of Hollywood's most notorious unsolved murder case. On January fifteen, 1947, a young lady named Beth Short was found brutally slain her body gruesomely dismembered and gutted in a field in Los Angeles. The situation grew to become a cause celebre about the nation, with speculation rife as to the background of the victim and the identification of the perpetrator, but the real killer was never discovered. The movie focuses on two fictional murder detectives, performed by Josh Hartnett and Aaron Eckhart, who, to varying levels, become obsessed with the case. Their investigation leads them into nike air max uk cheap the coronary heart of a movie noir maelstrom comprised nearly solely of twisted psychosexual perverts and Tinsel City sickos. Many thanks to Vilmos Zsigmond's good cinematography and all the spiffy 1940's paraphernalia with which the costume designer and artwork administrators have decked out the movie, "The Black Dahlia" is never something but stunning to appear at, but in almost every other respect, the movie is a monumental disappointment. Even though the initial half cheap nike air max is fairly straightforward in its approach and fashion, by about the midway stage, De Palma's trademark cinematic excesses stilted dialogue, floridly staged action scenes, campy performances, and overemphatic music start to take over and the film becomes an incoherent mess. It becomes virtually not possible to maintain all the characters straight with out a program, and poor Fiona Shaw so fantastic in "Mountains of the Moon" is needed to overact so outrageously that audiences the world more than will be doubled more than in laughter at her scenerychewing histrionics. Her climactic speech in which she names names and blurts out all the particulars of the crime, of program will surely go down in film history as 1 of these traditional it'ssobadit'sgood times that film lovers everywhere cheap michael kors replica will be mimicking and howling over for many cheap nike air max 1 uk years to arrive. Not that the other actors fare a lot much better. Hartnett provides his all to the role of Bucky Bleichert but, as an actor, he lacks the gravitas essential to make the character fascinating. Eckhart is forced to thrash around within a character whose motivations are by no means convincingly spelled out for both the actor or the audience, and Scarlet Johansson and Hilary Swank appear to be doing parodies of crime thriller vixens rather than serious interpretations of plausible, threedimensional figures.